Tuesday, February 8, 2011

Ode To Simplicity

Oh singular form,
Oh stripped version!
How you can comfort.
How you can disarm.

You are honesty,
Bare-boned and dry.
You are beauty untainted,
Not painted.
You are succinct speech.

Paraphrase.
Groom.
Chasten.
Boil down.

Oh graspable whole,
Oh lightweight lift!
How you create confidence.
How you enable contentment.
You instill, nay, thrill
By simply being.

Hold The Attitute, Puh-leeeaaze!

   Unfortunately, in this world, there exist what some may lovingly call “attitude shirts.” I do not share the sentiment that some may imply with this title; I do not feel that they will give me the right attitude or make me a stronger person, nor do I believe they may declare me unique by wearing one. My first clue to the latter conclusion was that if I picked one up off a shelf, there would most likely be an identical one printed directly underneath it, also for sale: granted, perhaps it would be in a different size, but even that is not always guaranteed.
   I have decided the messages on these things are nothing but the opposite of classy and respectable, and so they should never be empowering. Some of my absolute favorite examples of this are, “Don’t Hate Me Because Your Boyfriend Wants Me,” “It’s All About ME,” “Don’t Ask, Because You Can’t Afford Me Anyway,” and “Spoiled Rotten.” These declarative jewels are often embellished with fake rhinestones the size of my eye and with swirling silver glitter over top pink puffy letters. If this is not nauseating enough, remember that the shirts’ backgrounds are usually a solid color; this forces you to stare at only the awful text. Which, to make things even better, is often located directly on females’ busts.
I get an even bigger kick out of a girl wearing one who gets offended when guys stare at her breasts- like they don’t know how on earth this could possibly happen, and so every single one of those guys must be a pig. When they wear a shirt printed with the words “I’m Up Here,” to signal that guys should not read the text directly placed on and stretched to hug their ample busts, I have to firmly clamp a hand over my mouth to keep my eager guffaw in check. Really? Really… I’ve even seen a shirt like this once that actually read “Who Needs Brains When You Have These?” Ok. No girl can EVER get mad for anyone calling her stupid or trashy if she’s wearing that one in public.
   And of course, guys are not excused from these shenanigans. They have their own charming additions to these lovely garments. Usually their text is slightly toned down, and are often in the predictable “manly” colors, but they are certainly no better in their messages than their feminine counterparts. “Yes, Stupid, Size Does Count,” “Boobies Make Me Smile,” and “What Girlfriend?” are all prime examples of men’s silkscreen cries for individuality. What girls do they attract with these messages? Do these men have jobs?
   I really want to know who is designing these shirts. Who is spending the time to come up with these messages? Also, does anyone ever actually spell-check these things in the least? I can’t tell you how many times a shirt declaring “Yes, Their Real,” “Your Just Jealous,” or something of the like uses the incorrect “they’re” or “you’re.” It makes me want to scream. I certainly do not care if “they are real” as that is your business, nor am I jealous at all of an ugly, unoriginal shirt proclaiming such a stupid message that, to top it all off, is also grammatically incorrect. Who approves these messages and then spends even more time designing the text (if you could even call that typography)?  I don’t understand why companies are agreeing to print these things, and in mass quantity. Then, beyond that, stores upon stores actually decide to stock and sell these things in representation of their businesses. Where do these people come from? And how can we send them back?
   If it is absolutely necessary these shirts be worn, they should never leave the four walls of our homes. In fact, they would certainly make very good rags. They are making America look bad; we have enough other issues to resolve that we do not need these “attitude shirts” littering our nation, proclaiming classlessness and idiocy for all to see.

What Comes and Goes

I can't feel my toes in the cabbage garden under the bridge while the man burns a paper bag and the mellon is rotten, not fit for eating and the stars are all shaken, bent, and bleeding. The world is broken with the alligator in the yard and the picket fence blue under the jello mold; I start to sing and the earth quakes with the candy falling from the yellow clouds but landing in the mud puddles; the volume is too low and the love is muddled. Oh, but we need it all so bad, and I'm glad but it just makes me so sad if my marker is lost and the comb is driving, the yellow line weaving, the gears are all stopping; I yell from the roof and dive into the coral that s red and orange with eyes and a mask. The mask? The mask; it's gone and I'm lost but I know that you're there; but there's such a cost that I'd rather not think about.

Reaching out to the wave where you're floating, I hold onto my sweatshirt and pray for a sun shower; we haven't seen such a good person in so long. And the hippo is gone from her desk, anyway. The message is on the underside of the ship. I turn a summersault and find I m breathing deeper and deeper, until I drown in the curtain of glitter and the fish breaks through to kiss me on the cheek. But I can't feel my toes; I can t feel my toes. So, just ignore the sensation of this wonderful elation, because the heron is jealous of my purse on the beach in the foam; pride helps and hurts the stuffed animals, filling them with sawdust. Add a penny to the jar.

I can't feel my toes as I flip through the pages, the days all filled, our time is erased. And the calendar is a terrible disease; it breaths and operates with a dirty needle and kool-aid anti-septic. Up on the cliffs, a car is waiting to wind to the top and catch the paper plane that waits in the tree. The kite keeps it company. Although the day is ending and the circus is in town, the clowns - oh, the clowns we've got here - have found the cave of the mermaids and the giant red rubber ball. Jump on the raft and go past the crags under the hot air balloon with the polar bear inside, eating a sandwich wrapped in rainbows. I'd tell you how if I knew why it snows. But my toes, my toes.

I wish I knew where I want to be and what I want to go.

But I can't feel my toes as I drive.